How to Use a Sledgehammer

I just got home from a performance of the The Laramie Project by the graduating MFA students of the National Theatre Conservatory. One of the great challenges of art is dealing with intense emotions without descending into melodrama, and in many ways it can be harder to avoid that pitfall when the material is drawn from reality, as opposed to a purely fictional situation. The great achievement of this play and the triumph of these actors was that they were able to reach the most dramatic peaks of emotional intensity without ever sacrificing the intellectual thrust of the narrative.

Back in January I saw and commented on the play Lydia, and it failed where the Laramie Project succeeds. This play reached the same levels of emotional intensity, but that visceral impact never felt like a gratuitous or manipulative action on the part of the actors, director, or playwright. On the contrary, the play was brilliant because it took the great aesthetic risk of having a purpose. It was neither didactic nor melodramatic, and yet it contained an almost frightening emotional intensity.